Nine artists share responses to prompts that aim to interrogate and help situate digital arts practice.
Fallon Simard
Fallon Simard’s memes and videos capture the conflicts created by colonialism, land, politics, and capitalism. The artist creates moving and still images as an embodied and visceral response to Indigenous identity that dispels current tropes of Indigeneity. Simard’s work instead investigates intensity and burden as products of injustice(s), human rights violations, and colonial violence. In his videos and memes, Simard illustrates bad feelings and harms from different Indigenous contexts to reveal new modes and effects of colonial-capital-racial policy. Simard’s work mobilizes grief, intensity, and trauma as mitigation tools to colonial-capital policy. He additionally creates policy recommendations into legislation, services, programs, and organizations.
Fallon Simard responds to questions posed through the Working Title Digital Art Curriculum by presenting the overlapping histories between photography, the moving image, and colonialism.