Writer Eleanor King reflects on the life and work of Kelly Mark through an object inherited from her estate, tracing Mark’s legacy and considering the posthumous presentations of her work.
Articles
In a hybrid digital/print artist project, EDAA finalist Kahani Ploessl presents BRUSH.jpeg, a coded drawing interface that replaces conventional brushes with web-sourced images smeared into glitched compositions that critique the concealment of labour and authorship in AI-generated content.
Writer Liza Eurich speaks with visual artist Joy Walker about her grid-based practice, tracing connections between material impermanence, textile, and gendered labour.
Saskatoon’s most sought-after Halloween party is back Saturday, October 31, 2026.
Coming September 2026
Through 3D-rendered black and white images, Moni Omubor creates a fictional museum where Yoruba artifacts exist beyond colonial possession. This artist project, titled “The Backroom” employs speculative fiction and Afro-Surrealism to interrogate Western museum practices and imagine new possibilities.
In conversation with Lodoe Laura, artist Annie Macdonell discusses her recent exhibition “The Beyond Within,” which delves into the history of psychedelic therapy. She explores her collaborative films with Maïder Fortuné and the historical ripples that help us read our fractured moment, sustaining an uncynical belief in art even as its institutions falter.
Yaniya Lee advocates for a critical approach grounded in material practice. Drawing on her recent work with textile artists in Edmonton, Lee makes a case for criticism that attends to how black artists work, focusing on their materials, methods, and processes, while calling for more diverse voices to engage with these practices.
In a profile of Edmonton-born, Berlin-based artist Adam Shiu-Yang Shaw, writer Lauren Lavery examines how Shaw’s treatment of industrial materials lends insight into our evolving relationship with urban landscapes and technology.
Coming together for the first time in my tenure without a prompt, the following issue nonetheless feels as though it is circling something specific, even if that something is difficult to name.
The screenshot interrupts the flow, capturing a fleeting thought within the machinery of creation. It is a time stamp, a photograph, or an idea jotted down in a notebook. The act of capturing a thought gives a fleeting moment a platform to become something.