Writer Eleanor King reflects on the life and work of Kelly Mark through an object inherited from her estate, tracing Mark’s legacy and considering the posthumous presentations of her work.
BlackFlash Magazine Posts
In a hybrid digital/print artist project, EDAA finalist Kahani Ploessl presents BRUSH.jpeg, a coded drawing interface that replaces conventional brushes with web-sourced images smeared into glitched compositions that critique the concealment of labour and authorship in AI-generated content.
Writer Liza Eurich speaks with visual artist Joy Walker about her grid-based practice, tracing connections between material impermanence, textile, and gendered labour.
Saskatoon’s most sought-after Halloween party is back Saturday, October 31, 2026.
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Job Posting: Circulations & Publishing Assistant (CanadaSummer Jobs)
Call for Board Members
Call for Pitches: “Patterns”
‘Traces’ Issue Launch / Saskatoon
‘Taste’ Issue Launch / Winnipeg
From BlackFlash Expanded
A response to Hope Strickland’s If I could name you myself (I would hold you forever) at the Winnipeg Underground Film Festival.
From the archives
“…every day since the Women’s March. I would read about something and I would make a sign about it. It was about Trump, feminism, Indigenous rights. It was about the birds, disappearing nature. So, it was about broad topics and then the pandemic came into it. But it’s all very, very connected.” ~ Dawna Rose