Writer Eleanor King reflects on the life and work of Kelly Mark through an object inherited from her estate, tracing Mark’s legacy and considering the posthumous presentations of her work.
BlackFlash Magazine Posts
In a hybrid digital/print artist project, EDAA finalist Kahani Ploessl presents BRUSH.jpeg, a coded drawing interface that replaces conventional brushes with web-sourced images smeared into glitched compositions that critique the concealment of labour and authorship in AI-generated content.
Writer Liza Eurich speaks with visual artist Joy Walker about her grid-based practice, tracing connections between material impermanence, textile, and gendered labour.
Saskatoon’s most sought-after Halloween party is back Saturday, October 31, 2026.
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‘Traces’ Issue Launch / Saskatoon
‘Taste’ Issue Launch / Winnipeg
From BlackFlash Expanded
Chukwudubem Ukaigwe responds to Carnation Zine’s most recent issue – Vol. 2: Pleasure – filled with artworks and writing by BIPOC creators centred around joy, desire, and intimacy.
From the archives
In her series ‘The Intricacies of Wholeness’ artist Samar Hejazi uses tatreez to connect with and transform the motifs, methodology, and societal ideologies associated with the traditional Palestinian embroidery technique. From this series, ‘Little Blue-six’ is prominently featured as the cover image for BlackFlash issue 38.3.