Writer Eleanor King reflects on the life and work of Kelly Mark through an object inherited from her estate, tracing Mark’s legacy and considering the posthumous presentations of her work.
BlackFlash Magazine Posts
In a hybrid digital/print artist project, EDAA finalist Kahani Ploessl presents BRUSH.jpeg, a coded drawing interface that replaces conventional brushes with web-sourced images smeared into glitched compositions that critique the concealment of labour and authorship in AI-generated content.
Writer Liza Eurich speaks with visual artist Joy Walker about her grid-based practice, tracing connections between material impermanence, textile, and gendered labour.
Saskatoon’s most sought-after Halloween party is back Saturday, October 31, 2026.
News
Job Posting: Circulations & Publishing Assistant (CanadaSummer Jobs)
Call for Board Members
Call for Pitches: “Patterns”
‘Traces’ Issue Launch / Saskatoon
‘Taste’ Issue Launch / Winnipeg
From BlackFlash Expanded
Jasmine Sihra looks closer to Mootookakio’ssin, a digital collection of 19th and 20th century Blackfoot items that have returned virtually to Blackfoot territory from museums in the UK.
From the archives
Katherine Connell and Esmé Hogeveen discuss two recent films by British filmmaker Beatrice Gibson ‘I Hope I’m Loud When I’m Dead’ (2018) and ‘Deux Soeurs Qui Ne Sont Pas Soeurs (Two Sisters Who Are Not Sisters)’ (2019).