In conversation with Lodoe Laura, artist Annie Macdonell discusses her recent exhibition “The Beyond Within,” which delves into the history of psychedelic therapy. She explores her collaborative films with Maïder Fortuné and the historical ripples that help us read our fractured moment, sustaining an uncynical belief in art even as its institutions falter.
BlackFlash Magazine Posts
Yaniya Lee advocates for a critical approach grounded in material practice. Drawing on her recent work with textile artists in Edmonton, Lee makes a case for criticism that attends to how black artists work, focusing on their materials, methods, and processes, while calling for more diverse voices to engage with these practices.
In a profile of Edmonton-born, Berlin-based artist Adam Shiu-Yang Shaw, writer Lauren Lavery examines how Shaw’s treatment of industrial materials lends insight into our evolving relationship with urban landscapes and technology.
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43.1
BlackFlash Spring/Summer 2026 “In my time at BlackFlash, we’ve persistently renegotiated the magazine’s identity, careening between vestigial past eras while plotting a future course, all…
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From BlackFlash Expanded
Time, depending on who you are, where you are, and when you are, can mean many different things. Time is a unit of measure. Time is an experience. Time is saved. Time is spent. Time is wasted. Time is money. Time flies. Or it drags on. Time is a construct, a concept, a currency. Time is attention. Time is value. And for some, time is a medium.
From the archives
“As a child, unable to enter the temple myself, I understood it as a special place where sacred rituals were performed, and that inside, everything was white and beautiful. In Cuthand’s paintings, the temple has an imposing presence, not simply because of the weight of its solid granite walls, but because of the belief system it symbolizes as it floats, totemic, in the background.”