Expanding on a discussion that took place at Anthology Film Archives following a screening of Lily Jue Sheng’s work, Steff Huì Cí Ling examines what it means to organize as arts workers while building solidarity beyond the sector and create art with “working-class intention” in a “bourgeois context.”
Steff Huì Cí Ling
Steff Huì Cí Ling 林惠慈 is a cultural worker, labour researcher, and occasional critic and film programmer living as a guest on the unceded territories of the xwməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaʔ / Selilwitulh (Tsleil-Waututh) First Nations.
The articles and projects in this issue stem from commissioned responses to the theme of “taste,” framed in part by sociologist Pierre Bourdieu’s text Distinction, which examines the relationship between taste and class.
