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Jacqueline Hoang Nguyen

Jacqueline Hoàng Nguyễn comes from Canada and is currently a PhD candidate in Art, Technology, and Design at Konstfack and KTH Royal Institute of Technology in Stockholm, Sweden. Her education includes the Whitney Independent Study Program in New York, the Malmö Art Academy in Sweden, and Concordia University in Montreal. Nguyễn’s work has been shown internationally at institutions including the Július Koller Society, Bratislava, Slovakia (2019) CAMPLE LINE, Scotland, UK (2019), the Sharjah Art Foundation, UAE (2018) and Trinity Square Video, Toronto, CA where Untitled (Entitled) was shown (2019). Nguyễn’s work often takes the form of installations that combine audio, video, printmaking, and photography. She employs a research-based process where she often uses archive material to reveal the unnoticed political relevance in overlooked histories.

Two Names: The Ideological Construction of Multiculturalism and its Mechanisms

Two weeks prior to the opening of “Untitled (Entitled),” between a hectic schedule of dance rehearsals, installation, photo shoots, and sound tests, Jacqueline Hoàng Nguyễn and Bonniers Konsthall’s curator Yuvinka Medina took a moment to reflect on their time working together and how the exhibition came to fruition. Over coffee cups and computers, and keeping COVID safety measures in mind, a conversation between artist and curator unfurled.