42.3 – Patterns

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BlackFlash Winter 2026

“This issue marks a transition for BlackFlash. We’re sunsetting thematic framing (for now) and moving toward a less categorical way of assembling each issue. Accordingly, our final theme, “Patterns,” is an apt pivot point: a flexible prompt that gestures toward a way of seeing that tracks subtle links.

This wide-ranging issue offers a snapshot of the contributors’ inclinations and preoccupations. In his novel of the same name, science fiction author William Gibson once described pattern recognition as a “gift and a trap,” which is a generous way of saying we search for meaning even when it may or may not exist. Think of this final (for now) theme as an invitation to indulge that impulse, to look a little too closely and take pleasure in finding a signal in the noise.”
– Madeline Bogoch, Editorial Note: Pattern Recognition

Consider gifting a subscription to yourself or a friend.

EDITORIAL NOTE:
Pattern Recognition
Madeline Bogoch, Editor

ARTIST PROFILE:
your voice, my throat: Kyle Alden Martens and B. Brookbank
Jon Davies

ARTIST PROJECT:
Index for Holding
Nic Wilson

FEATURE:
Crip Scripts: Disordered Patterns and the Politics of Recognition
Kat Benedict

CONVERSATION:
Ghosts of the Bone Trail
Letch Kinloch in conversation with coyote, Jon Fiddler and Car Martin

ARTIST PROFILE:
Speculative silhouettes and expanded histories: The layered practice of Anna Binta Diallo
Gabrielle Willms

FEATURE:
Pattern Disruptions: Working With and Through Weather
Katie Lawson

FEATURE:
Agency and Aesthetics In Lu Yang’s DOKU The Self
Amelia Wong-Mersereau

ARTIST PROJECT:
A Collection, Notes on Attention, A Pause
Shaheer Zazai

DIGITAL PROJECT:
.The. .Soft. .Archive. .A. .Collection.
Shaheer Zazai

Cover: Anna Binta Diallo, Peaks of Sunlight and Frost from Topographies/Perforations, 2024. Digital collage printed on Japanese paper. 92 x 100 cm. Photo by Jean-Michael Seminaro. Image courtesy of the artist.

BlackFlash is grateful to Canada Council for the Arts and SK Arts for the production and dissemination of this issue. 

Description

BlackFlash Winter 2026

“This issue marks a transition for BlackFlash. We’re sunsetting thematic framing (for now) and moving toward a less categorical way of assembling each issue. Accordingly, our final theme, “Patterns,” is an apt pivot point: a flexible prompt that gestures toward a way of seeing that tracks subtle links.

This wide-ranging issue offers a snapshot of the contributors’ inclinations and preoccupations. In his novel of the same name, science fiction author William Gibson once described pattern recognition as a “gift and a trap,” which is a generous way of saying we search for meaning even when it may or may not exist. Think of this final (for now) theme as an invitation to indulge that impulse, to look a little too closely and take pleasure in finding a signal in the noise.”
– Madeline Bogoch, Editorial Note: Pattern Recognition

Consider gifting a subscription to yourself or a friend.

EDITORIAL NOTE:
Pattern Recognition
Madeline Bogoch, Editor

ARTIST PROFILE:
your voice, my throat: Kyle Alden Martens and B. Brookbank
Jon Davies

ARTIST PROJECT:
Index for Holding
Nic Wilson

FEATURE:
Crip Scripts: Disordered Patterns and the Politics of Recognition
Kat Benedict

CONVERSATION:
Ghosts of the Bone Trail
Letch Kinloch in conversation with coyote, Jon Fiddler and Car Martin

ARTIST PROFILE:
Speculative silhouettes and expanded histories: The layered practice of Anna Binta Diallo
Gabrielle Willms

FEATURE:
Pattern Disruptions: Working With and Through Weather
Katie Lawson

FEATURE:
Agency and Aesthetics In Lu Yang’s DOKU The Self
Amelia Wong-Mersereau

ARTIST PROJECT:
A Collection, Notes on Attention, A Pause
Shaheer Zazai

DIGITAL PROJECT:
.The. .Soft. .Archive. .A. .Collection.
Shaheer Zazai

Cover: Anna Binta Diallo, Peaks of Sunlight and Frost from Topographies/Perforations, 2024. Digital collage printed on Japanese paper. 92 x 100 cm. Photo by Jean-Michael Seminaro. Image courtesy of the artist.

BlackFlash is grateful to Canada Council for the Arts and SK Arts for the production and dissemination of this issue. 

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