Description
Editorial Note
Maxine Proctor, Managing Editor
Gut Feelings: Digesting the work of Catherine Telford-Keogh
By Daniella Sanader (ON/ON)
The Weird Seduction of Michelle Bui’s Photography
By Emma Sharpe (ON/QC)
Seeing yourself/seeing others: ambiguous identification in Reza Rezai’s sculptural photography
By Jase Falk (MB/MB)
Heart Flora: A Response to Karen Asher’s “Class”
By Nic Wilson (SK/MB)
Offerings to both Past and Future: Still life photographs by Shellie Zhang
Introduction by Lorraine Chuen (ON/ON)
Andil Gosine’s Cane Portraiture and the Aesthetics of Indenture
By Matthew Ryan Smith (ON/ON)
The Limits of Self-Representation: A Conversation on Beatrice Gibson’s “Dreams of Social Life”
By Katherine Connell and Esme Hogeveen (ON/QC/UK)
