35.2
$5.00 – $8.00
BRUT NEUVE
Issue 35.2 was guest edited by Victoria-based cultural geographer, writer, and collections manager Rhiannon Herbert. Rhiannon holds a BA, MSc, and MLIS and has worked with Galleries, Libraries, Archives, and Museums (GLAM) sector institutions including the University of Saskatchewan, McGill University, the Canadian Centre for Architecture, BC Alliance for Arts + Culture, and VIVO Media Arts. BlackFlash is fortunate to have had Rhiannon as a past contributor and Editorial Board Member for a number of years. It is with great enthusiasm and joy that we are launching an issue designed and envision by such a talented and thoughtful writer and cultural critic.
BEAT MATCH
Subjective Reflections on the Broadcasting of Our Dreams and Realities by Geronimo Inutiq (QC)
WHAT’S IN A MEME
Canadian Art World Haterz: A Reflection by Claire Scherzinger (BC)
ARTIST STATEMENT
Towards Disillusionment by Elwood Jimmy (ON)
GOT GRAPHICS INTERCHANGE FORMAT?
Standing at the Gates Fussing With Locks by Steffanie Ling (BC)
BETWEEN TWO CURATORS
On-Line On-Screen Live Stream: Curating Performance in Cyberspace Canadian by Golboo Amani (ON) and Francisco-Fernando Granados (ON)
STORYTIME: THE ACCIDENTAL SPAM POET OF SOUTHERN CALIFORNIA
Finding Judith Bronte by Everest Pipkin (TX)
CONVERSATION WITH THE ARTIST
In Studio: Sandra Semchuk (BC) by Althea Thauberger (BC)
I SET OUT TO TRACK THE SUN
Artist Portfolio By Risa Horowitz (SK)
OPTIC NERVE ANNUAL IMAGE CONTEST WINNER
Luther Konadu (MB), Figure as Index, 2018, c-print.
HONOURABLE MENTIONS
Farihah Shah (ON), Laden Hands from the series Billie said ‘Strange Fruit,’ 2017, archival digital ink jet print.
Natalie Hunter (ON), The Sun Rays Don’t Burn Until Brought to a Focus, 2017, giclée prints on transparent film.
Related
2018
Description
BRUT NEUVE
Issue 35.2 was guest edited by Victoria-based cultural geographer, writer, and collections manager Rhiannon Herbert. Rhiannon holds a BA, MSc, and MLIS and has worked with Galleries, Libraries, Archives, and Museums (GLAM) sector institutions including the University of Saskatchewan, McGill University, the Canadian Centre for Architecture, BC Alliance for Arts + Culture, and VIVO Media Arts. BlackFlash is fortunate to have had Rhiannon as a past contributor and Editorial Board Member for a number of years. It is with great enthusiasm and joy that we are launching an issue designed and envision by such a talented and thoughtful writer and cultural critic.
BEAT MATCH
Subjective Reflections on the Broadcasting of Our Dreams and Realities by Geronimo Inutiq (QC)
WHAT’S IN A MEME
Canadian Art World Haterz: A Reflection by Claire Scherzinger (BC)
ARTIST STATEMENT
Towards Disillusionment by Elwood Jimmy (ON)
GOT GRAPHICS INTERCHANGE FORMAT?
Standing at the Gates Fussing With Locks by Steffanie Ling (BC)
BETWEEN TWO CURATORS
On-Line On-Screen Live Stream: Curating Performance in Cyberspace Canadian by Golboo Amani (ON) and Francisco-Fernando Granados (ON)
STORYTIME: THE ACCIDENTAL SPAM POET OF SOUTHERN CALIFORNIA
Finding Judith Bronte by Everest Pipkin (TX)
CONVERSATION WITH THE ARTIST
In Studio: Sandra Semchuk (BC) by Althea Thauberger (BC)
I SET OUT TO TRACK THE SUN
Artist Portfolio By Risa Horowitz (SK)
OPTIC NERVE ANNUAL IMAGE CONTEST WINNER
Luther Konadu (MB), Figure as Index, 2018, c-print.
HONOURABLE MENTIONS
Farihah Shah (ON), Laden Hands from the series Billie said ‘Strange Fruit,’ 2017, archival digital ink jet print.
Natalie Hunter (ON), The Sun Rays Don’t Burn Until Brought to a Focus, 2017, giclée prints on transparent film.
Related
