The second in a series of texts reflecting on moments that nourish, energize, and sustain artistic practice.
Responses
Contributors are invited to think deeply about the concepts, questions, and frameworks that arise in response to artistic programming.
Time, depending on who you are, where you are, and when you are, can mean many different things. Time is a unit of measure. Time is an experience. Time is saved. Time is spent. Time is wasted. Time is money. Time flies. Or it drags on. Time is a construct, a concept, a currency. Time is attention. Time is value. And for some, time is a medium.
“Each night, movie attendees gather on the shoreline to watch the beach films, projected on an eleven-meter screen erected directly in the lake. Viewers dig themselves makeshift seats in the sand. Feasting mosquitos gather. Waves lap. Frogs chirp. Credits roll.”
Part one of two texts reflecting on moments that nourish, energize, and sustain artistic practice.
A rabbit-hole attempt at creating a syllabus for digital art; a response to Working Title: Digital Art Curriculum.
Collaboration, collectivity, and community care with the Biofeedback Collective.
Presented for two days in the spring of 2022, Bristol’s archive of past work was embedded in the basement storage space of her former home.
An experimental response to the Sounds Like audio art and experimental music festival, based in Saskatoon, Saskatchewan.
A response to the Love in Every Stitch: Métis Ribbon Skirts from Kistapinanihk exhibition at the Mann Art Gallery with support from the Shushkitew Collective.
A response to the Radical Stitch: Beading Symposium at the MacKenzie Art Gallery and hosted in partnership with the Shushkitew Collective.
Considering the ways Miki Mappin’s artworks create and hold shared space.