“Hobot’s work creates a sense of being present in another place while standing right where you are. In the stark white of the gallery, even in the digitized white of a screen, she leads the viewer through a maze of coalescing propositions.”
Articles
“Glawson’s disregard is serious, intentional, lightly handled, and astutely queer.”
“The struggle for better labour conditions is precisely the struggle for better life conditions, because one cannot live on passion alone—despite how our passion for this work is operationalized against us, again and again.”
“…every day since the Women’s March. I would read about something and I would make a sign about it. It was about Trump, feminism, Indigenous rights. It was about the birds, disappearing nature. So, it was about broad topics and then the pandemic came into it. But it’s all very, very connected.” ~ Dawna Rose
“Last week we voted for a new name, next week we exchange washroom keys and in the weeks to come, Video Vérité and The Photographers Gallery will become one fast family. As of February 25th at 7:00 p.m Central Time, our two media-based galleries united under a paved banner.
Now… what are we going to do about it?”
“As an artwork, Kulshan is both an expedition and meditation on the landscape of the Pacific Northwest and a portrait of the mountain.”
“After so many conversations with artists about the positioning of Chinatown on Indigenous land, I’m further convinced that the iconic monument of Chinatown needs to be reconceptualized. Simply repeating traditions is insufficient and doesn’t reflect the realities of today.”
“The subjective challenges of the hookah lounge—that imperfect family-feeling, the sometimes questionable art, the interpersonal surveillance—are important, even with the systemic problems at hand.”
A publication partnership between BlackFlash Magazine and Le Sigh











