Where did the association between a computer cursor and a human hand come from? It’s one of those near-ubiquitous design strategies; one so obvious that it feels redundant to break it down.
Articles
Christine Lucy Latimer is an avant-garde filmmaker and photographer based in Toronto whose interdisciplinary practice spans over a decade, with over 250 screenings at film festivals and galleries worldwide.
Kyler Zeleny’s “Found Polaroids” (2011– ongoing) is a project that began with the collection of a few Polaroids at various flea markets in Canada.
Philippe Deneault: What have been your most recent projects, or what have you been currently working on?
Throughout much of the 15-minute duration of Manuel Piña-Baldoquín’s 2015 video work, Naufragios, the viewer’s focus is directed towards the liminal visual space where an anonymous body of water meets the sky.
Hands rubbed in ash
Ash Wednesday, thumb to the sky
“We wed before Ash Wednesday, and I still didn’t know him.”
Tanya Lukin Linklater’s the the, 2016, asks us to be patient, and if we can comply, we are rewarded with thoughtful and nuanced engagement with education, the body and language.
Traffic sounds like the heartbeat of a city—the hum of an engine, the clicking of pedestrian crosswalks.
Kara Uzelman’s recent work has led me to accept an uncanny premise: objects hold secrets.
Christine Negus is a visual artist from London, Ontario whose work is at once strange, jarring, humorous, and intense.
For as long as I can remember, my parents called me Coco. My middle name is Colette, after my late grandmother, and maybe the diminutive came from there. Years after, my friends started calling me Coco as well, and the nickname just stuck. I have never used it as a pseudonym in my work, but maybe one day if I do something totally crazy!*