Maeve Hanna explores the difficulty and potential threat of deterioration associated when exhibiting fragile seminal video works.
Articles
a continuum of old and new school tagging and teachings
Joanne Bristol explores the recent work of both Kristin Nelson and Barbara Meneley and shares how their practices address the land and consumption.
From the Archives: This is an online republishing of the original article, first published in the Fall 2016 issue of BlackFlash Magazine (33.3).
Researcher and colour theorist, Lannoo is presenting a body of work that peels back the layers of structural colour.
From the Archives: This is an online republishing of the original article, first published in the Fall 2012 issue of BlackFlash Magazine (29.1).
A focus on the Saskatoon collective and their inaugural artist in residence
Michèle Pearson Clarke’s Investigation into Vulnerability and Black Visuality
From the Archives: This is an online republishing of the original article, first published in the Spring 2015 issue of BlackFlash Magazine (32.2).
The portraits and interviews of Thelma Pepper
On May 25th, 2000 multidisciplinary Anishinaabe artist Rebecca Belmore performed “The Indian Factory” for TRIBE Inc. at AKA artist-run centre in Saskatoon, SK.