From the Archives: This is an online republishing of the original article, first published in the Fall 2012 issue of BlackFlash Magazine (29.1).
Articles
A focus on the Saskatoon collective and their inaugural artist in residence
Michèle Pearson Clarke’s Investigation into Vulnerability and Black Visuality
From the Archives: This is an online republishing of the original article, first published in the Spring 2015 issue of BlackFlash Magazine (32.2).
The portraits and interviews of Thelma Pepper
On May 25th, 2000 multidisciplinary Anishinaabe artist Rebecca Belmore performed “The Indian Factory” for TRIBE Inc. at AKA artist-run centre in Saskatoon, SK.
The Eros Portfolio
Introduction by Maxine Proctor
Once I began looking at the history of photography through these various kinds of found photos, I noticed patterns, and one of them was the action of kissing on camera. It’s something most of us have done at some stage — with lovers, friends, blowing a kiss to the lens.
St. Pierre has developed this complexity—desire and aversion, serenity and gloom—in her practice over time, addressing the fallout of industrialized life ways, while avoiding simplistic critiques or appeals.
Tough Guy Mountain’s emulation of start-up culture and techno-solutionism promote the compatibility in ideals between workers in art and technology.
Saelan Twerdy discusses the practice of Montreal-based photographer Jessica Eaton and the influence of Swedish artist and mystic Hilma af Klint on this new body of work.