“As an artwork, Kulshan is both an expedition and meditation on the landscape of the Pacific Northwest and a portrait of the mountain.”
“After so many conversations with artists about the positioning of Chinatown on Indigenous land, I’m further convinced that the iconic monument of Chinatown needs to be reconceptualized. Simply repeating traditions is insufficient and doesn’t reflect the realities of today.”
“The subjective challenges of the hookah lounge—that imperfect family-feeling, the sometimes questionable art, the interpersonal surveillance—are important, even with the systemic problems at hand.”
Collaging elements from BlackFlash’s online and print archives, Emilie Neudorf considers relationships between the digital and physical.
A publication partnership between BlackFlash Magazine and Le Sigh
“Tennis Club would make people laugh, we hoped; it would get them excited, would pose questions, would invite the world to take us in and keep us in some semblance of our wished-for artistic community.”
“As We Rise thoughtfully forms bridges between the photographer, their subjects, and audiences, creating connections of trust and intergenerational memory.”
“In this Shakespearean reimagining, Hannah and his collaborators additionally present the complex, layered experiences of women who are redefining their lives. Their time has been disrupted and, in making space to make art, they can reclaim it.”
“In a year of making, many bowls will collapse, vases will break, greenwares will be dropped and glazes will run.”