Expanding on a discussion that took place at Anthology Film Archives following a screening of Lily Jue Sheng’s work, Steff Huì Cí Ling examines what it means to organize as arts workers while building solidarity beyond the sector and create art with “working-class intention” in a “bourgeois context.”
BlackFlash Magazine Posts
Use augmented reality to expose clues in the “Celestial Throne” game show.
In Eyres’ world, the tragicomic reigns, and something is always thrillingly off.
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41.3 – Taste
February 2025 Consider gifting a subscription to yourself or a friend. Editorial Note: Aftertaste This issue emerged from many overlapping conversations that began when I…
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From BlackFlash Expanded
An editorial for BlackFlash Expanded (part one).
Christina Battle December 2021/January 2022
From the archives
At the beginning of the pandemic’s first wave, Rhiannon Vogl had the unique opportunity to experience Chrysanne Stathacos’ work “1-900 Mirror Mirror” at Cooper Cole, Toronto. The interactive installation was first exhibited in New York in the 1990s in response to the AIDS crisis and continues to comfort and inspire as we struggle to envisage the future.