“Glawson’s disregard is serious, intentional, lightly handled, and astutely queer.”
Contemporary art
“…every day since the Women’s March. I would read about something and I would make a sign about it. It was about Trump, feminism, Indigenous rights. It was about the birds, disappearing nature. So, it was about broad topics and then the pandemic came into it. But it’s all very, very connected.” ~ Dawna Rose
“Last week we voted for a new name, next week we exchange washroom keys and in the weeks to come, Video Vérité and The Photographers Gallery will become one fast family. As of February 25th at 7:00 p.m Central Time, our two media-based galleries united under a paved banner.
Now… what are we going to do about it?”
Our Summer 2023 issue features a dynamic group of writers and culture workers who offer insight into the unique circumstances of the art world, many of which are in dire need of critique and deep reconsideration.
Collaging elements from BlackFlash’s online and print archives, Emilie Neudorf considers relationships between the digital and physical.
A publication partnership between BlackFlash Magazine and Le Sigh
“Tennis Club would make people laugh, we hoped; it would get them excited, would pose questions, would invite the world to take us in and keep us in some semblance of our wished-for artistic community.”
The second in a series of texts reflecting on moments that nourish, energize, and sustain artistic practice.
An extended sound work: contact microphones, tactile transducer, stereo receiver, guitar strings, plate metal, pot lid, bar clamps, spring clamps, fm/am 2-band receivers, analog delay, ‘big muff’ fuzz/distortion, max/msp, hairbrush.
Time, depending on who you are, where you are, and when you are, can mean many different things. Time is a unit of measure. Time is an experience. Time is saved. Time is spent. Time is wasted. Time is money. Time flies. Or it drags on. Time is a construct, a concept, a currency. Time is attention. Time is value. And for some, time is a medium.