“But even without the experience that I had—of meeting the subjects of Bui’s images in their everyday averageness—her photos hint at that unsettling divide.”
Archive
Nic Wilson reflects on queer visibility in Karen Asher’s 90 minute video “Class.”
The Saskatoon artist is using her mother’s home as the epicentre for her latest exhibition.
Maeve Hanna explores the difficulty and potential threat of deterioration associated when exhibiting fragile seminal video works.
a continuum of old and new school tagging and teachings
Joanne Bristol explores the recent work of both Kristin Nelson and Barbara Meneley and shares how their practices address the land and consumption.
From the Archives: This is an online republishing of the original article, first published in the Fall 2016 issue of BlackFlash Magazine (33.3).
Researcher and colour theorist, Lannoo is presenting a body of work that peels back the layers of structural colour.
From the Archives: This is an online republishing of the original article, first published in the Fall 2012 issue of BlackFlash Magazine (29.1).
A focus on the Saskatoon collective and their inaugural artist in residence
Michèle Pearson Clarke’s Investigation into Vulnerability and Black Visuality