In conversation with Lodoe Laura, artist Annie Macdonell discusses her recent exhibition “The Beyond Within,” which delves into the history of psychedelic therapy. She explores her collaborative films with Maïder Fortuné and the historical ripples that help us read our fractured moment, sustaining an uncynical belief in art even as its institutions falter.
BlackFlash Magazine Posts
Yaniya Lee advocates for a critical approach grounded in material practice. Drawing on her recent work with textile artists in Edmonton, Lee makes a case for criticism that attends to how black artists work, focusing on their materials, methods, and processes, while calling for more diverse voices to engage with these practices.
In a profile of Edmonton-born, Berlin-based artist Adam Shiu-Yang Shaw, writer Lauren Lavery examines how Shaw’s treatment of industrial materials lends insight into our evolving relationship with urban landscapes and technology.
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43.1
BlackFlash Spring/Summer 2026 “In my time at BlackFlash, we’ve persistently renegotiated the magazine’s identity, careening between vestigial past eras while plotting a future course, all…
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From BlackFlash Expanded
As part of Expanded’s ‘How to Guide’ Series, artist Alma Louise Visscher shares strategies for How to Make Ink.
From the archives
“Both John and myself had been orbiting around questions of Whiteness and White identity through our own independent research, and we came together to produce an exhibition that looks directly at the topic of White racial identity. […] The following conversation is one of the only occasions where we’ve been able to debrief about our experiences, reflecting on our own curatorial collaboration and the public reaction to the exhibition.”