In conversation with Lodoe Laura, artist Annie Macdonell discusses her recent exhibition “The Beyond Within,” which delves into the history of psychedelic therapy. She explores her collaborative films with Maïder Fortuné and the historical ripples that help us read our fractured moment, sustaining an uncynical belief in art even as its institutions falter.
BlackFlash Magazine Posts
Yaniya Lee advocates for a critical approach grounded in material practice. Drawing on her recent work with textile artists in Edmonton, Lee makes a case for criticism that attends to how black artists work, focusing on their materials, methods, and processes, while calling for more diverse voices to engage with these practices.
In a profile of Edmonton-born, Berlin-based artist Adam Shiu-Yang Shaw, writer Lauren Lavery examines how Shaw’s treatment of industrial materials lends insight into our evolving relationship with urban landscapes and technology.
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43.1
BlackFlash Spring/Summer 2026 “In my time at BlackFlash, we’ve persistently renegotiated the magazine’s identity, careening between vestigial past eras while plotting a future course, all…
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Call for Pitches: “Patterns”
‘Traces’ Issue Launch / Saskatoon
‘Taste’ Issue Launch / Winnipeg
From BlackFlash Expanded
A response to Hope Strickland’s If I could name you myself (I would hold you forever) at the Winnipeg Underground Film Festival.
From the archives
Rooted in ancestral knowledge, sacred materials, and traditional teachings, KC’s recent work uses materials and process to investigate the continuous transfer of knowledge throughout generations, walking in the footsteps of her ancestors.